It’s all starting to seem rather impossible
to avoid now: THE INTERNET IS CHANGING!!
Alright, I’m probably doing a bit of
tabloid-style scaremongering there. But with the dust only just settling on
Megaupload’s dramatic demise, the news that BTJunkie have decided to shut up shop and take the money and run, opens the creeping likelihood that the world
of torrenting will soon be under severe attack. I find my morals getting rather
tangled in any attempt to get too outraged about all of this (although it’s a different
story when it comes to SOPA/PIPA). But it does beg the question: what does the
future hold for music and the internet?
One thing that would certainly be worth
stopping and considering in some more detail is the impressive amount of free,
legal music downloads available out there on the interwebs. I’m always
impressed and surprised by the amount that can be directly downloaded on
Soundcloud, which seems to be finally be taking up reign as a rightful successor
to MySpace as an online hub for emerging artists to get tracks heard. And while
most normal mortals don’t have the time in their busy lives to scour endless
obscure music sites, the more obsessive among us will often find a plethora of
mp3s, podcasts, mixtapes and more out there after some hard graft and
investigation.
One such excellent free download was last
week’s release of an album sampler for Flying Lotus’ Brainfeeder label – recent
deserved winners of the ‘Label of the Year’ award at the Gilles Peterson
Worldwide Awards. Although mostly featuring work from the label’s back
catalogue, what’s noticeable is that this works well as an album
in it’s own right; it also perfectly evidences the rich diversity of sounds and
textures Fly Lo has gathered at Brainfeeder. From the insistent, staccato beats
of TOKiMONSTA, to the organic euphoria of Thundercat, to some blissed out bars
from rapper Jeremiah Jae, the collection includes some excellent work from the
label’s emerging artists. These tracks nestle alongside better-known names such
as Martyn and The Gaslamp Killer. ‘Viper’ appears from Martyn’s 2011 album
‘Ghost People’, and it’s a menacing piece of electronica with sparse
percussion and a gnarly, unforgiving synth line. The ‘Killer’s contribution is
the meandering rhythms of ‘When I’m In Awe’, featuring Gonjasufi at his shamanic,
spiky best.
Speaking of free stuff, if you’re yet to do
it go and bag Dizzee Rascal’s Dirtee TV mixtape HERE, while it’s still floating
around. It’s the freshest, edgiest work he’s done in ages, and a strong
reminder of why he remains grime’s golden boy.
It seems 2012 is shaping up to be the year
the debates about internet piracy really start exploding into some direct
action. Presumably the likes of Spotify (whose new ‘App’ update I’m really starting to
make the most of) still offer the best indication of what the future of legal
music streaming may look like – but it still feels a little hard to tell at
this point. So in the mean time, why not get searching for some of those
excellent freebies out there?
Interesting article! We're actually putting together a conference this summer in Maastricht, Netherlands, about the future of music distribution. Hopefully our discussions will "explode into some direct action" as you so nicely put it! If you're interested, you can check us out at http://www.m3event.com
ReplyDeleteThanks for the kind words. Sounds like a really interesting conference, certainly feels like a moment in time where questions of music distribution feel more important than ever! Good luck getting the conference together, I'll be sure to check you guys out.
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